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During the second act I had to say to Mirele (that is, to my mother), "Do you think a person can live forever?" but I could not utter the final part of the question. I got as far as "Do you think..." but the rest of the line remained stuck in my throat, Seeing this, my mother did not let me finish and replied, "I know what you mean. Don't worry. I know that a person cannot live forever." At the end of the act my mother embraced me: "My poor sweetheart, you couldn't say those words. But don't worry. Everything is all right, and I feel well."
This was Esther-Rachel's final performance: she died from cancer at the age 56 in December 1925. The news of her death brought forth a flood of emotions in Poland, as expressed in this particularly elaborate hand-written and illuminated note of sympathy:
Presented in commemoration of Esther-Rachel Kaminska, as arranged by the Vlatslavek Dramatic Union
No more is Esther-Rachel Kaminska, Mother of the Yiddish Theater. She fought for the people, She created (art) for the people and She died for the people.
Your monument is the love of Yiddish theater that you planted in the productive Jewish masses.
After she died, a death mask was made of her face, as was the fashion among celebrities. Her body was buried in Warsaw's Jewish cemetery with an elaborate monument created by the accomplished Jewish sculptor Joseph Rubinlicht. Only the gravestone of the great Yiddish writer Y.L. Peretz was bigger.
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