Browse by Genre
Marriage
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A shadkhn darf men kenen zayn
Title
Date
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Citation
Di mame iz gegangen in mark arayn nokh koylen
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Date
Description
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Citation
Sheyn bin ikh, sheyn
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Date
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Citation
Tate, tate, geyoyfn ben-zukher
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Citation
Zayt mir gezunt, khavertes ale
Title
Date
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Citation
Meydelekh un vaybelekh, tantst a dreydl
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Date
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Citation
Vos iz fun dem az ikh bin sheyn
Title
Date
Description
Younin introduces song in Yiddish: He heard the song in 1929 in Lubave (?) Latvia from Yohana Patirmayster; song sung from the point of view of a shadkhn’s (matchmaker’s) daughter... To one listener it sounds like words were put to an instrumental - the intervals and ornaments are not usual for a singer but are for an instrument). She has no new clothes, doesn’t want to go the khupe with anyone. Her father has many enemies. In 3/4 meter.
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Citation
Nit keyn gebetene
Title
Date
Description
[Note from typewritten tape log in box:] These [marriage songs] are not songs of ceremonials or rites. These are songs which touch upon the marriage theme, either in jest, satirically, in dance or even in a children’s rhyme like [Tape 70] No. 3. Sometimes they bear the mark of the marriage entertainer (badkhn). [Handwritten note:] Like [Tape 70] No. 5.
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Citation
Tsu vos-zhe gibn dir, mayn libe kind?
Title
Date
Description
The daughter sings she doesn’t want a shuster (shoemaker), or a balegole (driver), stoler (carpenter), koveling, - for various reasons (like, the stolier makht a bet [makes a bed] un git dem vay donershtik a get (on Thursday gives his wife a divorce) - but a dokter (Dr.) - yes. In 3/4 meter.
Compare song #14 on this tape: “Tsu vos-zhe gibn dir, mayn libe kind?” Very similar words, both in 3/4 meter. But #9 chorus is in major key, # 14 in minor key. #9 is humorous; #14 is much darker, and talks a lot about the various types of husbands beating their wives.
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Citation
Mekhuteneste mayne
Title
Date
Description
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Citation
Az Yosl der klezmer
Title
Date
Description
[Note from typewritten tape log in box:] These [marriage songs] are not songs of ceremonials or rites. These are songs which touch upon the marriage theme, either in jest, satirically, in dance or even in a children’s rhyme like [Tape 70] No. 3. Sometimes they bear the mark of the marriage entertainer (badkhn). [Handwritten note:] Like [Tape 70] No. 5.
As Yosl the klezmer plays for a celebration, the attendees are merry like a wave in the ocean; they revel and sing and jump and sing....
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Citation
Ven eyner vert a khosn
Title
Date
Description
These [marriage songs] are not songs of ceremonials or rites. These are songs which touch upon the marriage theme, either in jest, satirically, in dance or even in a children’s rhyme like [Tape 70] No. 3. Sometimes they bear the mark of the marriage entertainer (badkhn). [Handwritten note:] Like [Tape 70] No. 5.
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Citation
Lomir zikh tsekishn -- Itzik hot shoyn khasene gehat
Title
Date
Description
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Citation
Vos-zhe vilstu mayn lib kind
Title
Date
Description
[Note from typewritten tape log in box:] These [marriage songs] are not songs of ceremonials or rites. These are songs which touch upon the marriage theme, either in jest, satirically, in dance or even in a children’s rhyme like [Tape 70] No. 3. Sometimes they bear the mark of the marriage entertainer (badkhn). [Handwritten note:] Like [Tape 70] No. 5.
Compare song #14 on this tape: “Tsu vos-zhe gibn dir, mayn libe kind?” Very similar words, both in 3/4 meter. But #9 chorus is in major key, #14 in minor key. #9 is humorous; #14 is much darker, and talks a lot about the various types of husbands beating their wives.
Rights
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Citation
Ale meydlekh fun undzer land
Title
Date
Description
Note from typewritten tape log in box:] These [marriage songs] are not songs of ceremonials or rites. These are songs which touch upon the marriage theme, either in jest, satirically, in dance or even in a children’s rhyme like [Tape 70] No. 3. Sometimes they bear the mark of the marriage entertainer (badkhn). [Handwritten note:] Like [Tape 70] No. 5.
Rights
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Citation
Leyg ikh mayn kepele
Title
Date
Description
The singer lays her head on her mother’s bed; her mother has pleasure from her daughter, calls her beautiful, she should sleep in good health.
The singer lays her head on her father’s bed; he comments on her beautiful black eyes, he has pleasure from his daughter, she should sleep in good health.
The singer lays her head on her husband’s bed; he has kind words for her, has pleasure from her loves her, she should sleep in good health.
She lays her head on her mother-in-law’s bed; she curses her and says she doesn’t do any work, and sleeps constantly.
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Citation
Es iz gefloygn di gilderne pave
Title
Date
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Citation
Shnirele mayne
Title
Date
Description
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Citation
Wedding tune
Title
Date
Description
Wordless tunes sung by male and female singers here, explained by woman (in Yiddish) played when the in-laws are escorted to the dinner. (tune is in 3/4 time. Then goes into a now-familiar freylekhs in 2/4)
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Citation
Shpil-zhe mir dem nayem sher
Title
Date
Description
Yiddish words set to a few bars of the Russian Sher
Rights
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Citation
Ikh vel aykh gebn tsu derklern
Title
Date
Description
1 khusn’s tish ([groom’s table] where one eats and makes merry and sings
2 khusn-kale ([bride and groom] they stand in front of everyone
3 mekhetonim [in-laws]
4 the khupe shtangen [poles that hold up the wedding canopy]
5 the klezmorim ([musicians] they play for rich and poor)
6 di 6 teg (the 6 days during which you may and may not do things)
7 sheva brukhes (the seven wedding blessings, where the dowry [nadn] and misery [kadokhes] are declared)
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Citation
Di meydelekh vos viln vern kales
Title
Date
Description
The young girls who want to become brides,
don’t have the means to get married - there is great poverty.
Those that want to study need to dress as men as in Parisian magazines.
In 3/4 meter. Song cut off.
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Citation
Lomir beyde zayn a por
Title
Date
Description
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Citation
Raboynoy shel oylem vi dank ikh dir
Title
Date
Description
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Citation
Tokhter du lib
Title
Date
Description
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Citation
Yomi, yomi
Title
Date
Description
The chorus is daughter saying, neyne mamele neyn (no mother, no)
du veyst nisht vos ikh meyn (you don’t know what I mean)
du kenst mikh nisht farshteyn (you can’t understand me)
du bist a shletkhte mame (you’re a bad mother), du veyst nisht vos ikh meyn
Then the mother asks - a khusn? (a groom)
and the daughter says, yes, you’re a good mother.
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Citation
Di mame hot mir geshikt
Title
Date
Description
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Citation
Iz gefloygn di gilderne pave
Title
Date
Rights
YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.
The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.
YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.
Citation
Khanele du mayne
Title
Date
Description
Rights
YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.
The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.
YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.
Citation
Khosn-kale mazltov
Title
Description
Rights
YIVO owns the compilation of content that is posted on this website, which consists of text, images, and/or audio, and video. However, YIVO does not necessarily own each component of the compilation. Some content is in the public domain and some content is protected by third party rights. It is the user's obligation to determine and satisfy copyright or other use restrictions when publishing or otherwise distributing materials found in YIVO websites.
The materials on this web site may be used for personal, research and educational purposes only. Publication (including posting on the Internet and online exhibitions) or any other use without prior authorization is prohibited. Please visit https://www.yivo.org/Rights-Reproductions for more information about use of materials from this website.
YIVO has employed due diligence in seeking to identify copyright holders of the materials in this compilation. We invite any copyright owners who are not properly identified to contact us at yivomail@yivo.cjh.org.